In Development

David Pomeranz, Composer

Cast: 13 plus ensemble (6m/6f) - Fewer with doubling

Based on the life of screen legend Charles Chaplin and named after his most famous character, the musical opens at the 1972 Academy Awards ceremony at which the aging star, long exiled from the United States, is about to receive a Lifetime Achievement Award. The trajectory of the impressive professional career and turbulent private life that leads to this moment is traced via flashbacks in which Chaplin recalls his introduction to Hollywood and silent movies, his failed marriages and problems with the press, his dealings with the FBI, and the creation of his most beloved character, the iconic Little Tramp.

Composed and co-written by multi Platinum Award-winner, David Pomeranz, Little Tramp" is an imaginative, emotional and inspiring journey that leaves the audience walking on air, humming its tunes, and in love with the artistry of the great Chaplin.

Music & Synopsis

At the 1971 Academy Awards ceremony in Los Angeles, an 82-year-old Charlie Chaplin is about to receive a special Life Achievement award. 20 years earlier, Charlie had been barred from re-entry into the United States on the grounds that he was a Communist ("In America Again").

Charlie looks back at his life. His mother, a failed music hall performer, trying to make ends meet to support little Charlie and his older brother Sydney, reminds her sons that they have something more than mere material possessions ("Something No One Can Ever Take Away").

Not able to support her children, Hanna Chaplin is taken to the workhouse. The boys try selling their old clothing on the streets but there are no takers. (“Is Anybody Out There?”) Hungry and heartbroken, Sydney tries to cheer things up ("When the World Stops Turning") while the Charlie of 1971 rejoins them.

When Sydney joined the Navy, Charlie is left to fend for himself. Determined to help his mother, Charlie joined a dance troupe called "The Eight Lancashire Lads", but his mother's condition worsens and she is placed in an insane asylum. Dodging truant officers, Charlie sees a sign, "Blackmore's Theatrical Agency" and barges into the agent's office
("Number One").

Now grown up and a consummate English Stage comedian, Charlie is discovered by filmmaker Mack Sennett and signed to a contract at Keystone Studios in California. Sennett's style of "pie in the face" comedy is different from Chaplin's slower, more deliberate style, and when Charlie tries to assert his ideas, Sennett gives him some strong advice ("Less It Ends With a Chase").

Charlie is relentless. Sennett finally throws up his hands in frustration and gives Charlie a chance ("The Tramp"/"He's Got to be Someone").

Charlie becomes an overnight sensation. Film distributors, fans and theater owners can't get enough of him ("Chaplin Films").

Charlie opens his own picture studio and he becomes one of the most beloved public figures. One evening, he is visited by a local chapter of Chaplin Fan Club ("Thank You").

By this time, Sydney returns as Charlie's personal manager. Getting ready for a swank Hollywood party, Sydney reminisces how far they've come ("Heaven").

Back to 1971, Charlie's wife, Oona is instructed by the show's assistant director on how Charlie should play to the camera. Furthermore, a government official then warns her that Charlie should avoid making any political comments. Oona is incensed ("He's Got to be Someone (Reprise)").

The story returns to the 1920s. Charlie's career and personal life are at a low point. His mother just died, and he just underwent two bitter divorces. He is overworked, reporters are on to him and to make things worse, talking pictures are threatening his artistic survival ("Too Many Words").

Nonetheless his success continued, and Charlie revisits England to attend a Royal Premiere of City Lights. He wanders through his old neighborhood and is stunned that injustice and poverty still exists. In an effort to improve such degenerate conditions, he decides to speak out on behalf of the Russian War Relief. He contends that it's no concern whether or not these people are Communist, they're being slaughtered by the Nazis. After one of his speeches, FBI agent Tippy Gray takes notes and reports his finding to Bureau Chief J. Edgar Hoover ("I Got Me a Red"/"There's Got to be a Law").

A paternity suit is filed against Chaplin, giving Hoover ammunition he needed. Although a blood test disproves the allegation, the press crucifies him. His fans turn on him and his films are boycotted. Charlie is dejected. He is convinced that it is just a matter of time before his new wife Oona leaves him too. However. Oona assures him that she won't ("This is What I Dreamed").

The Chaplins decided to cruise Europe, but aboard the ship, Charlie receives a cable from Washington stating that in order to re-enter the U.S., he must answer to political and moral charges. Crestfallen, Charlie decided to spend the next 20 years living in Veney, Switzerland.

Back to 1971, Charlie is escorted to the stage while deeply regarding what he will tell his audience

Little Tramp celebrity concept album, Warner Bros UK


In order to generate interest in the production, a celebrity concept album was recorded by Warner Bros. UK LTD. Little Tramp received its first workshop staging at the prestigious O'Neill Theatre Festival in Waterford, CT, before receiving a concert staging in St. Petersburg, Russia, inaugurating the first East/West Theatre Conference. Following that, an early version of the script was produced in the UK and was endorsed by Richard Attenborough, director of the feature film, "Chaplin," starring Robert Downey, Jr.

Phase 1

Currently looking to partner with professional regional theatres to stage the rolling world premiere of a newly revised script to allow writers the opportunity for further script enhancement. Producing partners will work with us to establish production budgets, production cost sharing and premiere schedule. Additionally, this would allow the production to refine the branding and marketing package. 

Operating timeline:

Regional Theatre Partner #1

FALL 2020

Regional Theatre Partner #2

WINTER 2020/2021

Regional Theatre Partner #3


Once we have partners pledged to the timeline, we will arrange for the necessary licensing and approval through the family estate, with whom we have already been in contact.

Are you a producer interested in learning more about this project? Please contact Beau Bisson at or by calling 303-900-0185.

Beau Bisson, Managing Member

PEAK Theatricals, LLC      

beau (at) | 303.900.0185